Music Contest from Lithuania :)

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Toto was an American rock band founded in 1977 by some of the most popular and experienced session musicians of the era. The band enjoyed great commercial success in the 1980s, beginning with the band's self-titled debut, released during 1978. Continuing with 1982's critically acclaimed and commercially successful Toto IV, Toto became one of the best selling music groups of their era. They are known for such hit singles as "Hold the Line", "Rosanna", "Africa", and "Stranger in Town". Although their popularity in the United States diminished in the 1990s and 2000s, they continued to tour and sell out theaters and arenas internationally.
Toto was known for their technical skill in the studio, as well as a musical style that combines elements of pop, rock, soul, funk, progressive rock, hard rock, R&B, and jazz. Although they were regularly associated with the soft rock genre, this broad array of musical styles helped them appeal to a variety of musicians and non-musician listeners.
Formation

Toto formed as a group of six studio musicians in 1977. Before the band formed, the members of Toto were regulars on albums by Steely Dan,[1] Seals and Crofts,[2] Boz Scaggs,[3] Sonny and Cher,[4] and many others, contributing to many of the most popular records of the 1970s. Keyboardist David Paich, son of famed musician and sessions player/arranger Marty Paich, rose to fame after having co-written Boz Scaggs' Silk Degrees album. Having played on many sessions with drummer Jeff Porcaro (the son of noted session percussionist Joe Porcaro whom he had met while attending Grant High School in North Hollywood, California where they had formed the band Rural Still Life), the two began to seriously discuss the possibility of forming their own band. They brought in bassist and fellow session vet David Hungate, having played with him on the road with Boz Scaggs. In addition, the duo asked guitarist Steve Lukather (who had also played in Scaggs' band as a replacement for Les Dudek) and Jeff Porcaro's brother Steve Porcaro (keyboards) to join the team. Luke and Steve Porcaro had also attended Grant High and had in fact continued the band Rural Still Life (the name shortened to Still Life) after Paich & Jeff had graduated. With the addition of former S.S. Fools singer Bobby Kimball, the group began to work on their first album in 1977 after signing with Columbia Records.

"Africa" is a song by rock band Toto. The song was included on their 1982 album Toto IV, and scored number one on the Billboard Hot 100 chart in February 1983 and number three on the UK Singles Chart the same month. The song was written by the band's keyboardist David Paich and drummer Jeff Porcaro. David Paich sings both verses of the song. Bobby Kimball, Steve Lukather and Paich sing the choruses.
Without a doubt Toto’s most recognizable song, "Africa" was almost omitted from the Toto IV record prior to its release. Having spent a great amount of time producing the tune, the band became so tired of the song that they didn’t want it on the album. The song itself was very different from anything the band had done before, and some members felt that it didn’t sound like Toto.
“I didn’t think it was very good,” said Steve Lukather (Classic Rock Revisited, 2003). “That tells you what can happen when we pick our own singles!”
David Paich, who co-wrote the song with Jeff Porcaro, said that it “could have been the beginning of a solo project [for me] because it was so different. I thought I’d save it…[because] world music wasn’t around then.”
The initial idea for the song came from David Paich, playing on his piano. Jeff explains the idea behind the song: "... a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past."
David Paich says the following: "At the beginning of the 80's I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do."
Musically the song took quite some time to assemble, as David and Jeff explain:
"On 'Africa' you hear a combination of marimba with GS 1. The kalimba is all done with the GS 1; it's six tracks of GS 1 playing different rhythms. I wrote the song on CS-80, so that plays the main part of the entire tune."
Jeff Porcaro reminisces about how the song's drum track took shape:
"I was about 11 when the New York's World Fair took place, and I went to the African pavilion with my family. I saw the real thing; I don't know what tribe, but there were these drummers playing, and my mind was blown. The thing that blew my mind was everybody was playing one part. As a little kid in Connecticut, I would see these Puerto Rican and Cuban cats jamming in the park. It was the first time I witnessed someone playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance. I have always dug those kind of orchestras, whether it be a band of all drummers. But I just love a band of guys saying one thing. That's why I loved marching band, and I said, 'Gee, someday there's going to be a little drum orchestra where everybody plays one thing, and you don't stray from it. You do it until you drop. You're banished from that land if you move from that one part.'
"So when we were doing 'Africa', I set up a bass drum, snare drum and a hi-hat, and Lenny Castro set up right in front of me with a conga. We looked at each other and just started playing the basic groove.... The backbeat is on 3, so it's a half-time feel, and it's 16th notes on the hi-hat. Lenny started playing a conga pattern. We played for five minutes on tape, no click, no nothing. We just played. And I was singing the bass line for 'Africa' in my mind, so we had a relative tempo. Lenny and I went into the booth and listened back to the five minutes of that same boring pattern. We picked out the best two bars that we thought were grooving, and we marked those two bars on tape. We made another mark four bars before those two bars. Lenny and I went back out; I had a cowbell, Lenny had a shaker. They gave us two new tracks, and they gave us the cue when they saw the first mark go by. Lenny and I started playing to get into the groove, so by the time the that fifth bar came – which was the first bar of the two bars we marked as the cool bars we liked – we were locked, and we overdubbed shaker and cowbell.
"So there was bass drum, snare drum, hi-hat, two congas, a cowbell, and a shaker. We went back in, cut the tape, and made a one-bar tape loop that went 'round and 'round and 'round. The Linn machine was available to us. Maybe it would have taken two minutes to program that in the Linn, and it took about half an hour to do this. But a Linn machine doesn't feel like that! So we had an analog groove. We took that tape, transferred it onto another 24-track for six minutes, and David Paich and I went out in the studio. The song started, and I was sitting there with a complete drumset, and Paich was playing. When he got to the fill before the chorus, I started playing the chorus, and when the verse or the intro came back, I stopped playing. Then we had piano and drums on tape. You have to realize that there are some odd bars in 'Africa', so when you have a one-bar loop going, all of a sudden, sometimes Lenny's figure would turn around. So Lenny went in and played the song again, but this time he changed his pattern a little for the turn-arounds, for the fills, for the bridge, for the solo. We kept the original part and the new one. Then we had to do bongos, jingle sticks, and big shakers doing quarter notes, maybe stacking two tracks of sleigh bells, two tracks of big jingle sticks, and two tracks of tambourine all down to one track. I was trying to get the sounds I would hear Milt Holland or Emil Richards have, or the sounds I would hear in a 'National Geographic' special, or the ones I heard at the New York World's Fair."
"Africa" was played on all of Toto's tours from its release until the band's breakup in 2008. It was sung by David Paich at the 2009 Millennium Development Goals Awards Ceremony.
The music video was directed by Steve Barron.[8] The story is of a researcher in a library (portrayed by band member David Paich), looking for clues to a book called Africa. Many scenes include the band performing atop a stack of hardcover books.


I hear the drums echoing tonight
But she hears only whispers of some quiet conversation
She's coming in 12:30 flight
The moonlit wings reflect the stars that guide me towards salvation
I stopped an old man along the way,
Hoping to find some old forgotten words or ancient melodies
He turned to me as if to say, Hurry boy, It's waiting there for you

CHORUS:
It's gonna take a lot to take me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa
Gonna take some time to do the things we never have

The wild dogs cry out in the night
As they grow restless longing for some solitary company
I know that I must do what's right
As sure as Kilimanjaro rises like Olympus above the Serengeti
I seek to cure what's deep inside, frightened of this thing that I've become

CHORUS

(Instrumental break)

Hurry boy, she's waiting there for you

It's gonna take a lot to take me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa, I bless the rains down in Africa
I bless the rains down in Africa, I bless the rains down in Africa
I bless the rains down in Africa
Gonna take some time to do the things we never have
Toto Discogaphy:

• Toto Falling In Between Live - 2007
• Falling In Between - 2006
• The Essential Toto - 2003
• Circa 1980's - 2003
• Love Songs - 2003
• Through The Looking Glass - 2002
• Super Hits - 2001
• Mindfields - 1999
• Rock & Roll Band - 1999
• Toto XX (1977-1997) - 1998
• Toto/Hydra/Toto IV - 1997
• Tambu - 1995
• Kingdom of Desire - 1993
• Past To Present - 1990
• The Seventh One - 1988
• Fahrenheit - 1986
• Isolation - 1984
• Toto IV - 1982
• Turn Back - 1981
• Hydra - 1979
• Toto - 1978


http://www.youtube.com/watch?v=aCca5mPMp9A